At the Met
My work conveys the spark felt when entering the Metropolitan Museum of Art, studying the behaviors its interior space elicits from visitors and the energy they bring to it. Influenced by the hand-painted animations of Claudia Briton, I transform motionless paintings into short animated experiences that portray the magic of a simple museum visit. Painted interiors and hand-drawn visitors remain stagnant until combined, relying on each other to recreate the fleeting, intimate, and sometimes intrusive nature of experience. From an elevated vantage point, the viewer discovers moments the characters themselves may never notice, treasuring what would otherwise be overlooked.
Peeking at the Hudson River School - 2020, Oil on Gessoed Paper, 6” x 8”
Peale’s Washington - 2020, Oil on Gessoed Paper, 6” x 8”
In The Pyramids of the Egyptian Wing - 2020, Oil on Gessoed Paper, 6” x 8”
Route to Hatshepsut - 2020, Oil on Gessoed Paper, 6” x 8”
Hall of the Rococo Room - 2020, Oil on Gessoed Paper, 6” x 8”
Peering Down at the Column - 2020, Oil on Gessoed Paper, 6” x 8”
Tree - 2020, Oil on Gessoed Paper, 6” x 8”
By The Fountain - 2020, Oil on Gessoed Paper, 6” x 8”
Down the Hall of the American Wing - 2020, Oil on Gessoed Paper, 6” x 8”
Evening in the Greek and Roman Wing - 2019, Oil on Canvas Board, 10” x 8”
Peering Down from the Second Floor of the Greek and Roman Wing - 2020, Oil on Gessoed Paper, 6” x 8”
Main Lobby - 2020, Oil on Gessoed Paper, 6” x 8”
My Night At The Met (Lenticular Lens) - 2021, Pine, Clear Acrylic Rods, and Ink, 10” x 10”
Peale’s Washington - 2020, Oil on Gessoed Paper, 6” x 8”
Peeking at the Hudson River School - 2020, Oil on Gessoed Paper, 6” x 8”
Walking Up The Grand Staircase - 2020, Oil on Gessoed Paper, 6” x 8”